Come Write in Dingle, Ireland in 2025!
A gathering of Irish and American writers and poets for a ten-day writing workshop from May 20 to 30, 2025
Ann Hood and Suzanne Strempek Shea, author friends who’ve taught together nearly annually on the Dingle Peninsula since 2015 and who know well the inspiration provided by what National Geographic called the most beautiful place on Earth, invite you to join them there!
For starters, where in the world is Dingle?
Dingle is a small but lively port town on Southwest Ireland’s 30-mile-long Dingle Peninsula, edged by steep cliffs and sandy beaches and home to rugged scenery including Mount Brandon, Ireland’s second-highest peak; the ocean-edging Slea Head Drive; and the breathtaking valley views from Conor Pass. Located along the famed Wild Atlantic Way scenic route, Dingle is two hours from Cork Airport, 2 1/2 from Shannon Airport and four from Dublin Airport. Irish language and culture thrive here in this Gaeltacht, a region where Irish language and culture are prized and furthered, and where wonders like Iron-Age Dun Beag fort and the 1,000-year-old Gallarus oratory are just two reasons why why the peninsula is said to include more important archeological finds than any other part of Ireland. The town’s rich cultural offerings of music, dance, drama and literary events make it a perfect fit for our Writers’ Workshop, and its wide variety of eateries, B&Bs, pubs, shops and galleries make it simply a very pleasant place to spend time.
Workshop Descriptions
THE SHORT ANSWER AND THE LONG ONE - Madeleine Blais
The majority of writers have experienced a major “before” and “after” in their lives, and as a result they have a sense of what it is like to be on the outside looking in. As the novelist Anne Tyler once put it: “You have to have had rheumatic fever in your childhood. I’ve never had rheumatic fever, but I believe that any kind of setting-apart experience will do as well.” Think of when you have given a quick dismissive answer to a question that requires a longer more expansive response. Let’s mine these moments for future subject matter. Essayists, memoir writers and people interested in nonfiction narrative are especially encouraged to enroll.
**Each participant will submit up to fifteen pages beforehand, distributed by email.
FIND YOUR STORY - Ann Hood
Bestselling novelist Jennifer Weiner tells us to "Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale that wakes you up in the morning." In this workshop you will unleash that story through writing exercises, readings, and discussion of your work. We will work together as a group to get your story out of your head and onto paper. This workshop is for fiction and nonfiction writers.
FLASH NARRATIVES – Nuala O’Connor
Flash is a unique fiction and/or non-fiction art: it sings like good poetry and has intrigue and heart like a good short story. Punchy, succinct, and often surprising, the best flash narratives keep the reader alert and thinking. By definition a short form, in flash every word is essential and superfluity, in words and ideas, is pared away. Suitable for those who enjoy short narratives, this workshop will guide participants through practical theory on how to write effective flash and there will be in-class writing exercises – using various provided prompts, participants will write new flash. We will look at sample stories and essays from accomplished flash writers, and explore outlets for completed stories. Handouts will be provided.
WRITING WITHOUT A GPS - Andre Dubus III
If I teach nothing in my writing classes, I teach this: do not outline your novel or novella or short story or essay or memoir. Do not think out the plot, the narrative arc, the protagonist’s journey, whatever you want to call it. Instead, try to find the story through an honest excavation of the characters’ total experience of the situation in which they find themselves. Do that, and I promise the story will begin to write itself, with little need for the controlling hand of the godly, intelligent, well-read, and ambitious author. But how, precisely, does one go about this “excavation”? And how, technically speaking, can we ignite a story into “writing itself”? Come to this workshop, and I will seek to demystify those writerly tools and skills that time and time again, if they are sharp enough, and if the writer can summon enough daily faith and nerve, can penetrate the mystery of story itself. Fiction, as well as creative non-fiction is welcome. We will be doing in-class writing exercises, and anyone who’d like to workshop their writing will be given a 20-page (double-spaced, 12-point font) limit. Thank you and see you in Dingle!
THE GREEN BOUGH: CELEBRATIONS IN THE HOUSE OF THE WORLD: A Poetry Workshop That Will Consider Inspiration, Rough Drafts, and How to Get the Most Out of Revision - Theodore Deppe
In this workshop, we will generate new poems and think about how to revise them. We'll also have time to critique poems if you have works-in-progress you'd like to share with us. This workshop is open to anyone who would like to spend five days immersed in poetry, whether you've already published widely in the genre or just want to try your hand at something new.
WALKING WRITERS- Suzanne Strempek Shea
There’s so much to see on the Dingle Peninsula, and this workshop will allow you to take more of it in while getting writing done in some stellar settings. We’ll walk through pastures leading up the hill to a tower. We’ll hike a sloping harborside path to a lighthouse. We’ll trek along an historic strand. Once at our destinations, we’ll write from prompts related to the area, or about the experience getting there. Or you may write whatever you’d like to write in these places guaranteed to inspire (all genres welcome). Destinations will depend on the weather of the day; alternate indoor locations will be available on days with poor weather. This workshop is offered to those physically able to walk up hilly and possibly slippery paths, and able to walk in general at a steady pace for 30 to 45 minutes at a time. Sturdy footwear and raingear are recommended. Sometimes-spotty cell service prevents us from including those who’d like to join our journeys via the Internet in real time, but we will be happy to share with any Dingle Writers’ Workshop participants all information about the destinations and the related prompts.
What does the schedule include?
Each day of the two four-day “halves” of the workshop includes a morning workshop, a lunchtime craft talk, and afternoon lectures and readings. Extras include a welcome dinner, a reception at a harborfront home, a day off between “halves” of the week, and a final reading showcasing participants’ work.
Who’s on the faculty?
Madeleine Blais, Annie Deppe, Ted Deppe, Andre Dubus III, Ann Hood, Nuala O'Connor, Michael Ruhlman, Suzanne Strempek Shea and Tommy Shea. Their awards and honors won’t fit in their suitcases, but they include a Pulitzer Prize, a Guggenheim, Pushcart Prizes, National Endowment for the Arts fellowships, James Beard Awards, a New England Book Award, and the Kerry Irish Novel of the Year Award.
With whom will I work?
You’ll have your choice of one four-day workshop in each “half” of the workshop, separated by a day off to enjoy more of the area. You can workshop with two different faculty members, or stick with one for both halves, if that person will be there for both halves. Workshop requests will be first-come first-served, and we’ll do our best to accommodate everyone.
What kind of workshops will be offered?
Some will be generative and others will require work to be done ahead of time. A list of each faculty member’s workshop descriptions will be sent upon acceptance.
Beyond tuition, how much should I budget?
Airfare, ground transportation, meals and lodging are not included. These costs vary depending on where you are traveling from, your choice on transportation to Dingle, the type of accommodations you prefer—bed and breakfast, Airbnb, hotel—and the kinds of meals you enjoy. Dingle offers everything from high-end dinners to fish and chips and the deli in the Texaco petrol station that made the New York Times for its great options! Upon acceptance we will send lodging and transportation options. That’s a good time to start looking for deals on airfare too.
How many will be admitted into the workshop?
To ensure an intimate, personal experience, spaces are limited. Workshop caps vary from six to 12 participants, depending on leader preferences.
How can I get to know the others who’ll be going?
We’ll have a Facebook page open only to those attending the workshop, plus faculty and staff. It’s always a great place to introduce yourself, share your travel plans, find out others with whom you might share lodging or transportation. You’ll be sent an invitation to the Facebook page after admission to the workshop. If you’re not on Facebook, you might make an exception to join from admission up through the end of the workshop.
May I bring others with me to the workshop?
Feel free, but know that workshops and lectures are open only to those admitted to the workshop. Readings, though, are open to the public. Your family may lodge with you but once you go into workshops, craft talks and lectures, they will have to have the nice problem of lots of free time in Dingle.
Would you have suggestions for a longer Ireland itinerary?
Yes, just ask!
So what might they be doing – and what might I do on the day off?
For starters, visit Great Blasket Island, walk a section of The Dingle Way, ride a horse, surf, swim, take in a concert, feast on locally sourced cuisine and browse the many shops (among them, two fine bookstores). Need more suggestions of what to do and where to go? All faculty have taught in Dingle before, and will be happy to give you a list, or show you the way in person.
I have other questions! Is there a way I can reach you?
Sure - just email writeindingle@gmail.com and we’ll get you an answer!
The Faculty
COSTS
Tuition
$2,200
Your payment of $2,200 includes eight morning-long seminars, eight luchtime craft talks, afternoon lectures and readings, a welcome dinner, and an afternoon reception. Plus extensive amounts of inspiration, and literary/life experiences beyond compare.
Accommodation
Varied
You must pay for your own air travel, ground transportation and lodging. Upon acceptance into the workshop, you’ll receive suggestions for all those categories.