
Come Write in Dingle, Ireland in 2026!
A gathering of Irish and American writers and poets for a ten-day writing workshop from May 29 to June 7th, 2026
Ann Hood and Suzanne Strempek Shea, author friends who’ve taught together on the Dingle Peninsula since 2015 and who know well the inspiration provided by what National Geographic called the most beautiful place on Earth, invite you to join them there!
For starters, where in the world is Dingle?
Dingle is a small but lively port town on Southwest Ireland’s 30-mile-long Dingle Peninsula, edged by steep cliffs and sandy beaches and home to rugged scenery including Mount Brandon, Ireland’s second-highest peak; the ocean-edging Slea Head Drive; and the breathtaking valley views from Conor Pass. Located along the famed Wild Atlantic Way scenic route, Dingle is two hours from Cork Airport, 2 1/2 from Shannon Airport, and four from Dublin Airport. Irish language and culture thrive here in this Gaeltacht, a region where Irish language and culture are prized and furthered, and where wonders like Iron-Age Dun Beag fort and the 1,000-year-old Gallarus oratory are just two reasons why the peninsula is said to include more important archeological finds than any other part of Ireland. The town’s rich cultural offerings of music, dance, drama, and literary events make it a perfect fit for our Writers’ Workshop, and its wide variety of eateries, B&Bs, pubs, shops, and galleries make it simply a very pleasant place to spend time.
New this year!
Arrive early for the May 27th and 28th Writers’ Bootcamp, sleep well in the morning, and then enjoy two afternoons of workshops with Ann Hood and Suzanne Strempek Shea to help you get writing and get rid of jetlag.
Workshop Descriptions
AFTERNOON WRITING SESSIONS - Tommy Shea
Tommy Shea’s four Afternoon Writing Sessions will spring from journalism guru Donald Murray’s advice to “see the obvious” when exploring a story subject. Expect related exercises in finding stories and interviewing fully.
FIND YOUR STORY - Ann Hood
Bestselling novelist Jennifer Weiner tells us to "Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale that wakes you up in the morning." In this workshop you will unleash that story through writing exercises, readings, and discussion of your work. We will work together as a group to get your story out of your head and onto paper. This workshop is for fiction and nonfiction writers.
DISCOVER STORY THROUGH PLAY - Mia Gallagher
All writing has its roots in storytelling. Anything you read or write, fiction or non-fiction, has a beginning, middle and end, if not necessarily in that order. But many writers, the workshop leader included, get stumped at some stage during the process – either in beginning stories, making them stronger or finding a way to hit the right ending. In this dynamic generative writing workshop, we will experiment with playful techniques to create narratives out of nothing. Participants will come away having teased out principles of narrative structure, experimented with character and voice and touched on setting, action and objects as motors to propel narrative. Working alone, in pairs and as a group, we will dig into intangibles like emotions, stakes and, above all, creative intention. No need to prepare anything in advance. Do bring pens, paper and a willingness to explore.
SENSES WORKING OVERTIME - Luis Urrea
I am a big believer in geographic cures. Nothing opens us up more than a new vista, it is a glorious gift for the senses AND for our writing.
In this generative workshop, we will indulge each of our senses and put them into living words. The wonder of being in a beautiful place with beautiful people doing a beautiful thing is that every sense can be drenched and satisfied. Our task is to collaborate with our experience and make words of light and shadow. What we are after is finding our inspiration and EVERYTHING counts.
Each day of this workshop, we will focus on a different sense. Poetry, fiction, nonfiction, whatever you want to craft is up to you. You have a special way of seeing and experiencing the world and I want to help you saturate your work with your senses working overtime. You may have a work in progress already, I promise you this experience will change how you approach it. Bring a notebook, an open heart and a sense of wonder.
AFTERNOON WRITING SESSIONS - Michael Ruhlman
“So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it… and then the warmth and richness and fine reality of hunger satisfied… and it is all one.” —- MFK Fisher.
Food and eating is one thing all humans share, so it is no surprise that food can be an inroad to exploring the deeper parts of our humanity—love, loneliness, loss, joy. In our afternoon sessions, we will study how food is a powerful tool in the writer’s arsenal. As ever, the main focus will be the writing itself, but food—including reading some great personal food essays that are always about more than just the food—will be the anchor for those sessions on writing.
WRITING THROUGH THE BACK DOOR - Penny Guisinger
Some writing ideas show up at the front door of your writing practice fully dressed, confident, and ready for work, and it’s easy to open the door and let them in. They get the job done and don’t ask a lot of the writer. Often, though, if we remember to check the back door, we can find less easy, more elusive and shy ideas with more to offer if we take the time to get to know them and let them fully develop.
In this workshop, we will explore the alleyways and back streets of our writing to see what might be growing there, waiting to be nurtured. We’ll use prompts, playful exercises, and the rich backdrop of Dingle to coax new images, associations, and language that can only show up when we take the time to go looking.
Come ready to write, wander, and leave the back door open.
THE HILLS ARE ALIVE - Madeleine Blais
Voice in writing has a lot in common with music, with the mood you want your words to produce, the conversation you wish to provoke in the mind of your reader. Voice is what makes your writing sound like you and not like someone else. It is a fingerprint and a snowflake: no two writers ever possess the same precise score. Writers from all genres are welcome in this skill-building workshop in which participants will be asked to respond to daily prompts that will help you identify the signature song that belongs to you and to you alone. We will look at the work of published writers for inspiration as well as at our own work. Please submit between five to ten pages for peer review and above all, let’s have fun.
WALKING WRITERS- Suzanne Strempek Shea
There’s so much to see in Dingle, and this workshop will allow you to take some of it in while getting some writing done. Heading out each morning from Bambury’s Guest House, we’ll walk to areas of interest in and around Dingle town. Once at a destination, this totally generative workshop will have you writing from prompts related to the day’s location, or about the experience of getting there. Or you may write whatever you’d like to write in these places guaranteed to inspire (all genres welcome). This workshop is offered to those physically able to walk up sometimes hilly and possibly slippery paths, and able to walk in general at a steady pace for 30 to 45 minutes at a time. Sturdy footwear and raingear are recommended. A related writing assignment must be submitted prior to the workshop (details to come).
KEYNOTE SPEAKER – Sara Baume
Sara Baume will deliver a keynote speech at our Community Dinner on May 29.
What does the schedule include?
Each day of the two four-day “halves” of the workshop includes a morning workshop, a lunchtime craft talk, and afternoon lectures and readings. Extras include a welcome dinner, a reception at a harborfront home, a day off between “halves” of the week, and a final reading showcasing participants’ work.
Who’s on the faculty?
Sara Baume, Madeleine Blais, Annie Deppe, Ted Deppe, Mia Gallagher, Penny Guisinger, Ann Hood, Michael Ruhlman, Suzanne Strempek Shea, Tommy Shea, and Luis Alberto Urrea. Their awards and honors won’t fit in their suitcases, but they include a Pulitzer Prize, a Guggenheim, Pushcart Prizes, National Endowment for the Arts fellowships, James Beard Awards, and a New England Book Award.
What will the bootcamp entail?
The bootcamp will be a great way to spend more time in Dingle while working on writing and working off jetlag. On May 27and 28, the two days before all workshops formally begin, Ann Hood and Suzanne Strempek Shea will lead afternoon workshops to help you and your work get your footing.
With whom will I work?
You’ll have your choice of one four-day workshop in each “half” of the workshop, separated by a day off to enjoy more of the area. You can workshop with two different faculty members, or stick with one for both halves, if that person will be there for both halves. Workshop requests will be first-come first-served, and we’ll do our best to accommodate everyone.
What kind of workshops will be offered?
Some will be generative and others will require work to be done ahead of time. A list of each faculty member’s workshop descriptions will be sent upon acceptance.
Beyond tuition, how much should I budget?
Airfare, ground transportation, meals and lodging are not included. These costs vary depending on where you are traveling from, your choice on transportation to Dingle, the type of accommodations you prefer—bed and breakfast, Airbnb, hotel—and the kinds of meals you enjoy. Dingle offers everything from high-end dinners to fish and chips and the deli in the Texaco petrol station that made the New York Times for its great options! Upon acceptance we will send lodging and transportation options. That’s a good time to start looking for deals on airfare too.
How many will be admitted into the workshop?
To ensure an intimate, personal experience, spaces are limited. Workshop caps vary from six to 12 participants, depending on leader preferences.
How can I get to know the others who’ll be going?
We’ll have a Facebook page open only to those attending the workshop, plus faculty and staff. It’s always a great place to introduce yourself, share your travel plans, find out others with whom you might share lodging or transportation. You’ll be sent an invitation to the Facebook page after admission to the workshop. If you’re not on Facebook, you might make an exception to join from admission up through the end of the workshop.
So what might they be doing – and what might I do on the day off?
For starters, visit Great Blasket Island, walk a section of The Dingle Way, ride a horse, surf, swim, take in a concert, feast on locally sourced cuisine and browse the many shops (among them, two fine bookstores). Need more suggestions of what to do and where to go? Most faculty have taught in Dingle before, and will be happy to give you a list, or show you the way in person.
May I bring others with me to the workshop?
Feel free, but know that workshops and lectures are open only to those admitted to the workshop. Readings, though, are open to the public. Your family may lodge with you but once you go into workshops, craft talks and lectures, they will have to have the nice problem of lots of free time in Dingle.
Would you have suggestions for a longer Ireland itinerary?
Yes, just ask!
I have other questions! Is there a way I can reach you?
Sure - just email writeindingle@gmail.com and we’ll get you an answer!

The Faculty

COSTS
Tuition
$2,200
Your payment covers eight 2 ½-hour-long workshops, eight hour-long afternoon writing sessions, eight afternoon lectures, eight readings, a welcome dinner and an afternoon reception, plus extensive amounts of inspiration and literary/life experiences beyond compare.
Travel & Accommodation
Varied
You must pay for your own air travel, ground transportation, lodging, and all meals except the welcome dinner. Upon acceptance into the workshop, you’ll receive suggestions for all those categories, and a discount code for rooms we’ve reserved for our writers at Base Dingle, a short walk from our headquarters of Bambury’s Guest House.
Optional Bootcamp Tuition
$500
Your payment covers Bootcamp, two 2 ½-hour afternoon workshops of previously submitted pages.

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